Just a point of context - you're looking back at Bach from a historical vantage point where he's been gobbled up and lumped together with the entirety of "western culture".
To his contemporaries, he was a member of a specific national "culture", and influenced by the greats of other European (and non-European) cultures of the time.
To his contemporaries, he was a member of a specific national "culture", and influenced by the greats of other European (and non-European) cultures of the time.