People who say you can't make movies as offensive (or playing as much with offensiveness, anyway) as Tropic Thunder or Blazing Saddles anymore need to look into some of Lloyd Kaufman's output with Troma... the 2020 Shakespeare's Shitstorm is about as wildly-offensive (but maybe to good purpose? I'm still not sure, LOL) as it gets, and even directly targets the (in the pejorative sense) "woke" crowd (plus, like, a lot of other groups, including stuffy conservatives, big business, and shitty bigots) which is one of the riskiest moves a film could make these days, and that's just one of several risky moves it makes. Like, the movie's basically built of risky, boundary-pushing creative choices relating to very-relevant topics, which... might serve some greater, noble whole? Maybe? I think it's trying to, at least.

Now, a wide-release, mainstream movie, that might be true.