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It doesn't look like the source has been released, nor any documentation outside this blog post and presentation. Is there a plan to open this up past what is used by MayaNAS and Zettalane's cloud offerings?

> the 9 digit US Zip+4 format where the extra 4 digits narrow location down to a block, part of a block or even a specific building.

A US Zip+4 usually identifies a specific delivery point. In some places this can mean it can even identify specific units within a building.


I had the 2010 version of this model, with the same symptoms starting in mid 2011. I would get 5-8 crashes a day from the GPU being on the fritz.

Apple ended up replacing the mainboard in a free out-of-AppleCare repair. I never had the problem again and I used the machine regularly until about 2018.


In my case, it lasted one or two more years, and I only learned about the repair after they stopped offering it. By that time, the machine had already been replaced for other, unrelated reasons.


A local cache of sums are also stored in (iirc) $GOCACHE, so even if you delete go.sum from the project, the local toolchain should still be able to verify module versions previously seen without needing to call out to the Sum DB.


And most of Europe, and the rest of the world, where the eBook is offered directly from Tor.

It looks like distribution in the UK, Australia and New Zealand (only?) is from the imprint Gollancz, who has decided to go with DRM versions.


If you want to be part of Kindle Unlimited you have to give worldwide exclusivity to Kindle Unlimited, and can't have ever published your eBook on another platform.

Even if I wanted to join, Kindle Unlimited is not offered here. I can't even buy the eBook from Amazon.


My daughter wanted a book that was kindle exclusive in the US, and I found I could purchase an epub from another store by paying in euros and claiming to live in Europe. Needless to say I did this without a VPN and without leaving San Francisco. The book was still in English.

But I wonder if the reason for that little hoop was because of Kindle Unlimited.


It's not just that. E.g. Cooper and Hutchinson's edition of Plato's complete works, available on Kindle for $31.[1] Or on another tack, Yudkowski's recent If Anyone Builds It, Everyone Dies.[2] Neither book is on Unlimited, and I couldn't find either one on Kobo. I struck out half a dozen times in a row and finally gave up.

[1] https://www.amazon.com/gp/product/B00OZ4NMHU

[2] https://www.amazon.com/Anyone-Builds-Everyone-Dies-Superhuma...


While it's true I don't see that version of Plato's complete works (in fact, I don't see any Hackett Publishing books), the book on AI[1] is available.

[1]: https://www.kobo.com/ww/en/ebook/if-anyone-builds-it-everyon...


Oh weird, I'd just searched for it. I tried again with the US site and it came right up. Maybe their search isn't as good with typos or something.


I've been thinking about this recently too, mostly to figure out how to preserve indexes in tracks of "Murmurs of Earth"[0]. I think the FLAC embedded cuesheets could be used for this. While intended for CD-ready cuesheets embedded into one big FLAC, there's no reason they couldn't be used in individual files, with index 00 for pregaps.

I'm not sure it's well supported anywhere however. Maybe foobar2000?

Edit: I pulled up the RFC[1] for FLAC, and it seems like this is a use case they had in mind for the embedded cuesheet:

> A cuesheet metadata block can be used either [...] or to provide a mechanism to store locations of interest within a FLAC file.

[0]: https://www.discogs.com/release/6057232

[1]: https://www.rfc-editor.org/rfc/rfc9639.html#name-cuesheet


Not sure, I could never get my mind around foobar2000. I've just been playing my single-file CUE/(FLAC|APE)s in VLC ;-(


I recently repaired an Apple II that were stored in a binder in an environment that wasn't climate controlled (for ~35 years). The 5.25" floppies had all developed a layer of stickiness, but all but one read fine once I cleaned up the drives.


I was a lighting designer for several years and in that time in don't think I ever saw a proper 5-pin DMX512 connector. Even in venues with millions in house lights, the connection backstage to the house was XLR.


The proper DMX512 connector is XLR, though? The 5-pin variant, that is.

I worked as a tech at a stage for a short while. We always used XLR5 for lighting and XLR3 for audio.


Yes, I only saw 3-pin XLR for DMX512, while being aware of 5-pin XLR as "correct". Everything from the lighting console, to dimmer packs and moving heads, to the aforementioned connection to house lights. This was 2009-2013. Maybe it was regional?


Depending on the year and day of the week it also involved a transfer at San Bruno.

Fortunately they've since reverted back to always running to Millbrae from the airport.


Oh, yeah. I had forgotten about the irregular Millbrae service. I always thought that to be quite strange.


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