Prose is mostly focused on describing meaning using any words that serve to do so.
Verse is more concerned with structural factors like rhythm, tonality, and structure within syllables, or within types of sound, or parts of speech. Other linguistic devices which look at details beyond the strict meaning of the words, like rhyme or many other factors (you could even use visual spacing for example) can be considered in verse.
Within verse there's the concept of iambs. I think of it as a tuple of two syllables which are said, weak-strong. Pentameter means ten syllables, and iambic means in groups of weak and strong. Most of Shakespeare is written like this. Also English naturally sounds iambic a lot of the time.
Iambic pentameter sounds like this:
I watched a bird attempt its beak upon
The end of fake too-moist baguette in vain
For it was sick of stale McDicks tossed on
It endlessly maintained its rationed pain
While others in its bobbing flock for scraps
Of birds fought for the thrill squawked on and on
Till cannibals among their kind rejoiced
To find cousins in mayonnaise so long
Normally you'd also look at rhyme structure if writing a legit Shakespearean sonnet [2] but I fired this one out as in the style of fast food. So this is technically iambic pentameter but not technically a sonnet.
Or like a particular Shakespearean sonnet [0]. Or like any of them, [1]
Minor nitpick: "pentameter" means 5 parts, and each part is an iamb in iambic pentameter, so it's 5 parts where each part is 2 syllables in a weak-strong pattern. That results in 10 syllables, but "pentameter" doesn't mean 10 syllables alone.
Whereas when played separately it would be an referred to as an arpeggio. But in harmony we might still refer to it as a chord, as in saying, arpeggiate the C# minor (chord) to start moonlight sonata.
This might better be described as arpeggiating C#m second inversion or even C#m/G# in the right over C# in the left...
This is getting possibly-weird but you could call it an arpeggiation of G#sus4(#5)/C#
As per my knowledge, and as per Britannica, a chord actually uses three or more notes. A two note structure is called a diad, which implies a bit of confusion in the term "power chord" (written as 5, as in G5, which == G D == 1 5).. as it is not by definition a chord but a diad.
This may be a pedantic clarification, but that is the definition
TBH "definition" depends on the theory from which you're looking at the notes.
In the eyes of the Common Practice two simultaneous notes are not chords; in rock they most definitely are; in EDM you don't even care, since timbre is all that matters; in jazz you'd say "it depends" (e.g. might even be a triad with an omitted 5th... depending on context!)
I find it's a really scary idea to go to a third-world country like USA! - Or, it seems like a third-world country when you're from a developed country.
Unfortunately I'm type 1 diabetic which is either a death sentence there, or you are rich. But then I also accidentally broke my collarbone this summer. And I had this weird throat infection.
As a type 1 diabetic I have had to go to the ER numerous times in my life, and as traumatising as that experience can be, I can't imagine the feeling of also being financially ruined for the pleasure of not dying.
It's weird, I know plenty of people who avoid going to the doctor because it's annoying to wait for over an hour.. but I could see that for an American you might just NEVER go. I guess it's like, ok someone in the family is sick, and we're not rich, so we will sacrifice them to the sun gods. Or I guess you go into indentured servitude? There are people for whom $100k is made very very slowly.
I just do not get it! I guess these things add up properly if you are very wealthy, but people here think that it's the function of the society to make sure you can have basic things like medical treatment. Of course it's not perfect here... try going to the dentist for example. Then you're almost in the USA. Somehow it's not considered medical. A long session could run you over $500 or more.
I have compassion for all the USAians out there! If I was USAian and planning to have a child.. I guess I would consider just going to a civilized country for a while, like... I don't know, Rwanda or Ghana or somewhere that can afford people to be alive(?). In seriousness though (as those countries are very far) you could just go North or South. It's closer. If you go to Canada, a lot of times you wouldn't even need to present ID.. you could just.. get treated right there by walking into a hospital, being triaged, and then waiting (admittedly for maybe almost a day).
Always bring fun things to the hospital if you aren't literally bleeding out all over the place, because you'll be in the waiting room for 12 hours if you're in a big city.
But when it's over you're alive and about as rich as you were before. Seems like a good societal deal to me. I'm scared of being trapped somewhere like the US honestly. It's a nightmare scenario. Although I'm sure it's pretty great if you're a billionaire with slaves and so on... but someone has to incur that cost (the slaves from the lower castes).
Fortunately while Squarenix is still important to Playtstation (and Tetsuya Nomura to Squarenix), it's not the juggernaut it once was in the early 2000.
(for those who don't get it: Tetsuya Nomura is a director at Squarenix and known (amongst other) for its Kingdom Heart series who ends up with word salad title such as "Kingdom Hearts HD 2.8 Final Chapter Prologue" or "Kingdom Hearts 358/2 Days")
It seems like many people online say that there is no perceptible difference between e.g, 320kb/s mp3 and "flac" (which usually means CD-quality 44.1kHz 16-bit). Often sources say something about there being no way it sounds different and then talk about the Nyquist theorem [0].
Personally I don't get it as for me, there is a clear difference not only between mp3 vs. CD, but even between different bitrates beyond that. Maybe I'm not typical as I've been usually listening to stuff through studio monitors and also usually through a recording interface which handles 192kHz and >24-bit.
Definitely I noticed on certain systems you aren't going to notice a difference as the system itself is the bottleneck (i.e, bluetooth). In my experience though if you use the right driver, so ASIO or WASAPI in Windows (or anything in Mac and Linux nowadays), I can tell the difference instantly on recordings I know well.
Most music did not get released in ultra HD but some things are available in 96kHz and beyond. I recommend checking out Radiohead, Bob Marley, or Pink Floyd in ultra-HD ( >= 48kHz, >= 24-bit) as there have been releases. I have found Bob Marley - Legend in 192kHz 24-bit and it sounds incredible. You can hear each individual member of the percussion section.
This is super cool! I would love to see the specific mapping of keys that were used which were said to be inspired by the accordion. Even though that's a way less interesting detail than the way that the spoon picks up the distances and the "bit banging" used to achieve 8-bit precision on the modulation from two 4-bit connections.
Sounds pretty swell!
I wonder if the spoon controller could be adapted to send modulation parameters to arbitrary instruments via a midi port. I would buy a spoon modulator if it was reasonably priced. It would be a great add-on to a piano style keyboard without pitch bend or mod wheel etc
Safe to say it's the same as qwertuoso, muscle memory isn't that easy to remap, even if you're Linus Åkesson. I forget if it's a type B or type C, he mentions it on his site somewhere.
Tried my personal benchmark on the gpt-oss:20b: What is the second mode of Phyrgian Dominant?
My first impression is that this model thinks for a _long_ time. It proposes ideas and then says, "no wait, it's actually..." and then starts the same process again. It will go in loops examining different ideas as it struggles to understand the basic process for calculating notes. It seems to struggle with the septatonic note -> Set notation (semitone positions), as many humans do. As I write this it's been going at about 3tok/s for about 25 minutes. If it finishes while I type this up I will post the final answer.
I did glance at its thinking output just now and I noticed this excerpt where it finally got really close to the answer, giving the right name (despite using the wrong numbers in the set notation, which should be: 0,3,4,6,7,9,10:
Check "Lydian #2": 0,2,3,5,7,9,10. Not ours.
The correct answers as given by my music theory tool [0], which uses traditional algorithms, in terms of names would be: Mela Kosalam, Lydian ♯2, Raga Kuksumakaram/Kusumakaram, Bycrian.
Its notes are: 1 ♯2 3 ♯4 5 6 7
I find looking up lesser known changes and asking for a mode is a good experiment. First I can see if an LLM has developed a way to reason about numbers geometrically as is the case with music.
And by posting about it, I can test how fast AIs might memorize the answer from a random comment on the internet, as I can just use a different change if I find that this post was eventually regurgitated.
After letting ollama run for a while, I'm post what it was thinking about in case anybody's interested. [1]
Also copilot.microsoft.com's wrong answer: [2], and chatgpt.com [3]
I do think that there may be an issue where I did it wrong because after trying the new ollama gui I noticed it's using a context length of 4k tokens, which it might be blowing way past. Another test might be to try the question with a higher context length, but at the same time, it seems like if this question can't be figured out in less time than that, that it will never have enough time...
Prose is mostly focused on describing meaning using any words that serve to do so.
Verse is more concerned with structural factors like rhythm, tonality, and structure within syllables, or within types of sound, or parts of speech. Other linguistic devices which look at details beyond the strict meaning of the words, like rhyme or many other factors (you could even use visual spacing for example) can be considered in verse.
Within verse there's the concept of iambs. I think of it as a tuple of two syllables which are said, weak-strong. Pentameter means ten syllables, and iambic means in groups of weak and strong. Most of Shakespeare is written like this. Also English naturally sounds iambic a lot of the time.
Iambic pentameter sounds like this:
Normally you'd also look at rhyme structure if writing a legit Shakespearean sonnet [2] but I fired this one out as in the style of fast food. So this is technically iambic pentameter but not technically a sonnet.Or like a particular Shakespearean sonnet [0]. Or like any of them, [1]
[0] https://shakespeare.mit.edu/Poetry/sonnet.I.html
[1] https://shakespeare.mit.edu/Poetry/sonnets.html
[2] https://www.poetryfoundation.org/education/glossary/shakespe...