> Lots of songs have, like, "forced" slang or even changes in pronunciation or syllable stress to meet the constraints of the lyrics.
I agree. I’d be wary of this as a beginner, but when you get more advanced, it becomes helpful in untangling your hearing from the isolated, intentionally clean and slowed-down setting of a class.
People don’t actually talk like that. Some slur their speech, others have a heavy accent, and others just place emphasis wherever they feel like it. Some kinds of music* work well for giving you an ear for the changes that matter (And even with all the changes, natives still are able to understand most music, so it is a skill to learn).
* I love me some guturals in my music, but it's probably not the best way to train your ear for every day conversation
It (CC) does have a /models command, you can still decide to route everything to Opus if you just want to burn tokens
I guess it's not default so most wouldn't, but still, people willing to go to a third party client are more likely that kind of power user anyway
They still have the total consumption under their control (*bar prompt caching and other specific optimizations) where in the past they even had different quotas per model, it shouldn't cost them more money, just be a worse/different service I guess
As things are currently, better models mean bigger models that take more storage+RAM+CPU, or just spend more time processing a request. All this translates to higher costs, and may be mitigated by particular configs triggered by knowledge that a given client, providing particular guarantees, is on the other side.
That’s kind of the point. Even if users can choose which model to use (and apparently the default is the largest one), they could still say (For roughly the same cost): your Opus quota is X, your Haiku quota is Y, go ham. We’ll throttle you when you hit the limit.
But they don't want the subscription to be quota'd like that. The API automatically does that though, as different models use different amounts of tokens when generating responses, and the billing is per token. And quite literally is having the user account for the actual costs of usage, which is the thing said users are trying to avoid, on their own terms, and getting upset about when they aren't.
> It (CC) does have a /models command, you can still decide to route everything to Opus if you just want to burn tokens I guess it's not default so most wouldn't
Opus is claude code's default model as of sometime recently (around Opus 4.6?)
The constraints being different already make the replacement tangibly different
Maybe it will kill the veil of (perceived) anonimity which tangibly changes how people behave, or maybe the filter will be monetary and the filter will just affect the underclass shifting whatever discourse will be had
We can't act like whatever replaces the current web won't be different, because then there's no reason to change at all
I could pay like 30 bucks a month for an absolutely overspecc'd VPS (64GB/16c) that would cost around 20X on AWS (According to ChatGPT; which sounds about right based on the last time I cared to even look into it)
Does it have a billion 9's of reliability? No, but I don't care, it has literally never not worked when I've used it
Customer Service so far has been human, but that will vary greatly for the provider
I also use a different provider for work related hosting, and the reduced latency of being within 20 ms of the DC has been probably the single biggest (perceived) perf improvement my users have ever seen, specially on the legacy webforms platform we recently decomissioned (We're a bit too geographically far for most Datacenters of most large providers)
More directly, they don't care about the crash, because some of them either can profit from the crash or more generally are incentivized to think they should extract all value right up to the point of crashing and not a second less, because that is leaving money on the table
I see it as an extension of the tragedy of commons, no individual wants to destroy the finite resource, but everyone exploiting it to exhaustion always will
Which makes total sense, the military has been Chavismo's strongest asset for as long as it's been a thing
That won't change just because Maduro isn't there, whomever does take control, will need external protection, or the US acting as an unspoken enforcer (Unspoken because "No boots on the ground right now" but "prepared for a second wave")
The military clearly moved (or strategically chose to indicate they wouldn't move) for a paranoid, military-aligned dictator to be captured by a small force with only naval backup exactly when everybody most expected the US to move. Unless there's a faction there that actually likes Machado she may even be lower on the next-leader list than "Maduro pays his captors off with the contents of his offshore accounts, meaningful promises of oil money and empty statements about cracking down on narcotics trade". I assume he has ways of finding out who his loyalists are and who they aren't too...
I suspect there is also consideration of strategy here. The regime's lack of democratic approval is actually a benefit. A client state that has democratic approval has much more leeway to go against its master. A client regime that is unpopular with its population has no other base of support than the powerful country that put it there. This maximizes leverage.
Which implies it's may not be the actual reason. The reason might be as trifling as being salty over Machado getting the Nobel peace prize, and not Trump.
I agree. I’d be wary of this as a beginner, but when you get more advanced, it becomes helpful in untangling your hearing from the isolated, intentionally clean and slowed-down setting of a class.
People don’t actually talk like that. Some slur their speech, others have a heavy accent, and others just place emphasis wherever they feel like it. Some kinds of music* work well for giving you an ear for the changes that matter (And even with all the changes, natives still are able to understand most music, so it is a skill to learn).
* I love me some guturals in my music, but it's probably not the best way to train your ear for every day conversation
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