I hate LinkedIn but need it for a few things, mostly accessing certain clients and projects as a freelancer. Last October my ISP (Vodafone UK) assigned me a datacenter-classified IPv6 address with 80+ abuse reports on reputation databases, for bots, DDoS, crawlers. Before I realized this I started getting locked out, suspended, restricted from just about every web service I use, having to solve captchas for simple Google searches, etc.
I resolved everything except LinkedIn. They required Persona verification to restore access, but I'd already recently verified with Persona, so clicking the re-verification links just returned a Catch-22 "you've already verified with us." LinkedIn support is unreachable unless you're signed into an account. I tried direct emails, webforms, DMs to LinkedIn Help on Twitter, all completely ignored.
Eventually some cooldown timer must have expired, because Persona finally let me re-verify last week. Upon regaining access, I was encouraged me to verify with Persona AGAIN, this time for the verified badge.
I now have a taste of what "digital underclass" means, and look forward to the day when no part of my income depends on horrible platforms that make me desperate for the opportunity to give away my personal data!
I also feel that digital companies get away with “no human representatives”. I should always have access to a human. It should be law. It will screw over a lot of companies and I am all for it since they don’t know what service looks like if it looked them in the eyes.
I heard this being described as an "accountability sink." A system designed in such way that when something bad happens, there is nobody to be held accountable. It feels pervasive in the modern world.
The rule for not replying to GDPR requests (e.g. sent by registered letter) holds within a month: the maximum fine for this is 4% of last years total revenue or 20 mio €, whichever is the larger number.
For US companies use their (typically Dublin) European HQs.
> the maximum fine for this is 4% of last years total revenue or 20 mio €, whichever is the larger number.
The maximum fine wasn't even achieved by Facebook, after years and many blatant GDPR cases. Do you really think someone is getting a fine for not replying to a subject access request in due time? If so I have a very good bridge to sell you, and that bridge has more probability to exist than Amazon getting any kind of GDPR fine for not acknowledging a SAR.
> look forward to the day when no part of my income depends on horrible platforms that make me desperate for the opportunity to give away my personal data
We are moving into the opposite direction. Drink a verification can.
Thanks for mentioning this. I have activated a one-month LinkedIn Premium free trial, hopefully as another layer of protection while I re-establish myself and fortify my profile.
Wolfram came to our evolutionary biology department to preach that book about 20 years ago. We all got our heads into cellular automata for a while, but in the end they just don't have the claimed profound explanatory power in real biological systems.
It depends on the kind of work. If it's routine stuff, past seven hours or so, I can keep going and not feel tired, but I increasingly don't want to, and the feeling that I'd rather be doing something else becomes very distracting. If the work is technical and intellectually rewarding, I might feel inspired to continue, but I start making mistakes and past a certain point, it becomes counterproductive. If the work requires conceptual or creative insights, my brain stops delivering them for free and my backup methods for squeezing them out start failing too. If I'm speaking or writing, I lose the thread and my words lose their punch and personality.
My occasional bouts of insomnia bring a different kind of all-encompassing fatigue. I become overemotional. At my most sleep-deprived, I struggle to operate a kettle. Things were different when I was younger. Writing up my PhD, I essentially slept every other night for months, yet stayed sharp, productive.
I find it impossible to reconcile Monty's character with the fact Richard Griffiths was only forty years old when he played him. Yes, forty. I'm 46 now but however old I get, Uncle Monty will forever remain the archetypal "batty older queen" in my head.
That is wild, yes - he's one of those actors that always seems about that age. He was 57 or so when the first Harry Potter was filmed.
In fact, I would like a Potter/Withnail mashup, with Harry looking confused and distraught while Withnail shouts "Have you been at the controls!!? I demand some booze!" at him.
From what I understand, Moses's major contribution was describing color mixing principles for pigment paints independent of the notion of specially nominated primary colors, showing among other things that a mixture of any two paints is reduced in saturation in proprtion to their separation on the hue circle. I've been exploring classic color theory texts lately and the most illuminating by far as been Michel-Eugène Chevreul's "Principles of Color Harmony and Contrast", which has a wonderful recent translation and commentary by Dan Margulis. The core of the work elucidates what are known today as the optical phenomena of simultaneous contrast, chromatic adaptation, perceptual constancy. There is also a good overview and critique of historical color wheels at https://www.handprint.com/HP/WCL/color14.html
The third video in the "Featured Introductions" section near the top of the page, called "A Swift Introduction to Geometric Algebra", is a very good starting point.
I also have to balance foodie obsessions with being economical and healthy. (Growing up, my extended family had a culture of "living to eat" and they ran several restaurants as a trophy thing, i.e., with negligible profit but acclaimed food.) I'm now an experienced home cook who likes throwing somewhat elaborate dinner parties, but when on my own it still makes sense to just batch cook and freeze. When it comes to that, what I notice is that I'm still making the same dishes I did as a poor student, just augmented. The base dish is quite tasty to start with, but now I can afford to use a few nicer or speciality ingredients that take it up a level. If you're making a cauldron of risotto or tomato sauce or whatever that will yield dozens of servings, it doesn't cost that much more per serving to add the extra thing or perform the extra technique that makes it really delicious or interesting (and compensates for the fact you're freezing it). The same applies to everyday things that I whip up to eat fresh, in terms of keeping a well-stocked pantry of somewhat pricey powders and potions that only get used up slowly.
It works as a kind of experimental extension supplied with the paid FLIP Fluids addon. Note that the fluid solver built into Blender is also an implementation of FLIP, but "FLIP Fluids" is a separate product. I've played with fluid simulation in Blender quite a bit. The bundled FLIP is very limited, FLIP Fluids is great, and the color mixing is amazing!
>The next step is to automatically add "nodes" to the 3D images where the model can pivot, rotate and whatnot and then boom, you have on-demand animated, interactive content.
The next step is to generate models with higher quality mesh topology that allows animation and editing without breaking the mesh. I've done a lot of retopologizing and if I (or AI) were to rig these models as-is there would be all kinds of shading and deformation issues. Even without animating they are glaringly triangulated up close. But I suspect really high quality 3D asset generation is just around the corner because all you'd have to do is join up the approach seen here with AI quad re-meshing based on estimated direction fields and feature detection, which is also getting scarily good.
One thing that at least doubled my modelling efficiency was my acquisition of a multi-button gaming mouse with a twelve-button thumb grid. In Blender I have that mapped mostly to the numpad which enables 3D navigation at the speed of thought, and without me having to move my other hand away from the cluster of most-often-used hotkeys at the bottom-left of the keyboard. You also get five functions out of the MMB which also can really speed up working in the Node Editor. But. I'm left-handed. The only suitable mouse I can find like this is a Razer Naga Left-Handed Edition, and I don't like the build quality. It's too light and small for my hand, and on the two specimens I've used, the MMB is a little bit glitchy (occasionally registering scrolling the wrong way, and click turns into push-left or push-right). So I wouldn't be without it, but I wish there were better options.
I resolved everything except LinkedIn. They required Persona verification to restore access, but I'd already recently verified with Persona, so clicking the re-verification links just returned a Catch-22 "you've already verified with us." LinkedIn support is unreachable unless you're signed into an account. I tried direct emails, webforms, DMs to LinkedIn Help on Twitter, all completely ignored.
Eventually some cooldown timer must have expired, because Persona finally let me re-verify last week. Upon regaining access, I was encouraged me to verify with Persona AGAIN, this time for the verified badge.
I now have a taste of what "digital underclass" means, and look forward to the day when no part of my income depends on horrible platforms that make me desperate for the opportunity to give away my personal data!
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